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Título : Walker Evans & Company Tipo de documento: texto impreso Autores: Peter Galassi, Autor Fecha de publicación: 2002 Número de páginas: 272p. ISBN/ISSN/DL: 978-0-87070-032-3 Nota general: Nota extraída de Amazon: "Walker Evans, the Metropolitan Museum of Art's catalog to its current major retrospective, is a rock-solid work providing biographical, historical, and visual accounts of the artist's life and work. Hambourg, an assistant curator in the museum's Department of Photography, edited this big book with the straightforward approach that Evans employed in his art. Careful reproduction of well-known black-and-white and little-known color photographs by Evans forms the heart of the volume. There are quality essays here as well, biographical and analytical writing that effectively places Evans's visual efforts in social and territorial context. From the self-portrait on the cover to the notebook entries to the many photographs clustered along the way, Unclassified: A Walker Evans Anthology quickly broadens the popular view of the photographer as a chronicler of 1930s America with black-and-white film in his camera. Gathered from many files in the large and varied Evans Archive at the Metropolitan Museum of Art, these collected writings, photos, and ephemera give us a socially concerned writer, artist, and meticulous keeper of his life's work along with his opinions and his collections of postcards. This version of Evans shakes him free of any narrow channel in which we placed him. He led a robust life, and the stillness that comes from his Depression-era work is shaken up by this energized look at the photographer. Walker Evans pointed a camera at his world and let the documentary result speak as his art. Chief curator in the Museum of Modern Art's Department of Photography, Galassi has taken that objective eye as his theme. Gathering over 300 works from several media by 100 artists, Galassi gives us a volume of reportorial art, showing people, places, and things in "as is" condition. Evans touched people with his photographs because he merged his images with their "real lives." The question of whether other artists using other means were influenced by Evans's work or simply liberated to offer a visual vernacular landscape is incidental here. Galassi's book succeeds because his choices match his theme so well and play off the many examples of Evans's work that unite these pages. Though the Metropolitan catalog is the first choice for purchase, all three books are well recommended for all types of libraries and essential for serious art collections.DDavid Bryant, New Canaan Lib., CT Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title". Idioma : Inglés Palabras clave: Walker Evans, blanco y negro Clasificación: F Fotografos A-Z Nota de contenido: Foreword - Preface and acknowledgments - Introduction - List of Plates - Basic bibliography - Trustees En línea: http://www.amazon.com/Walker-Evans-Company-Peter-Galassi/dp/0870700324/ref=sr_1_ [...] Link: https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display Walker Evans & Company [texto impreso] / Peter Galassi, Autor . - 2002 . - 272p.
ISBN : 978-0-87070-032-3
Nota extraída de Amazon: "Walker Evans, the Metropolitan Museum of Art's catalog to its current major retrospective, is a rock-solid work providing biographical, historical, and visual accounts of the artist's life and work. Hambourg, an assistant curator in the museum's Department of Photography, edited this big book with the straightforward approach that Evans employed in his art. Careful reproduction of well-known black-and-white and little-known color photographs by Evans forms the heart of the volume. There are quality essays here as well, biographical and analytical writing that effectively places Evans's visual efforts in social and territorial context. From the self-portrait on the cover to the notebook entries to the many photographs clustered along the way, Unclassified: A Walker Evans Anthology quickly broadens the popular view of the photographer as a chronicler of 1930s America with black-and-white film in his camera. Gathered from many files in the large and varied Evans Archive at the Metropolitan Museum of Art, these collected writings, photos, and ephemera give us a socially concerned writer, artist, and meticulous keeper of his life's work along with his opinions and his collections of postcards. This version of Evans shakes him free of any narrow channel in which we placed him. He led a robust life, and the stillness that comes from his Depression-era work is shaken up by this energized look at the photographer. Walker Evans pointed a camera at his world and let the documentary result speak as his art. Chief curator in the Museum of Modern Art's Department of Photography, Galassi has taken that objective eye as his theme. Gathering over 300 works from several media by 100 artists, Galassi gives us a volume of reportorial art, showing people, places, and things in "as is" condition. Evans touched people with his photographs because he merged his images with their "real lives." The question of whether other artists using other means were influenced by Evans's work or simply liberated to offer a visual vernacular landscape is incidental here. Galassi's book succeeds because his choices match his theme so well and play off the many examples of Evans's work that unite these pages. Though the Metropolitan catalog is the first choice for purchase, all three books are well recommended for all types of libraries and essential for serious art collections.DDavid Bryant, New Canaan Lib., CT Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title".
Idioma : Inglés
Palabras clave: Walker Evans, blanco y negro Clasificación: F Fotografos A-Z Nota de contenido: Foreword - Preface and acknowledgments - Introduction - List of Plates - Basic bibliography - Trustees En línea: http://www.amazon.com/Walker-Evans-Company-Peter-Galassi/dp/0870700324/ref=sr_1_ [...] Link: https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display Reserva
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Código de barras Signatura Tipo de medio Ubicación Sección Estado 510 F EVA Libro Colección de la biblioteca Fotografia Disponible
Título : Many Are Called Tipo de documento: texto impreso Autores: Walker Evans, Autor ; James Agee, Prefacio, etc ; Jeff L. Rosenheim, Autor de una citación o de extractos Editorial: Yale University Press Fecha de publicación: 2004 Número de páginas: 208p. ISBN/ISSN/DL: 978-0-300-10617-6 Nota general: Nota extraida de Amazon: "Between 1936 and 1941 Walker Evans and James Agee collaborated on one of the most provocative books in American literature, Let Us Now Praise Famous Men (1941). While at work on this book, the two also conceived another less well-known but equally important book project entitled Many Are Called. This three-year photographic study of subway passengers made with a hidden camera was first published in 1966, with an introduction written by Agee in 1940. Long out of print, Many Are Called is now being reissued with a new foreword and afterword and with exquisitely reproduced images from newly prepared digital scans.
Many Are Called came to fruition at a slow pace. In 1938, Walker Evans began surreptitiously photographing people on the New York City subway. With his camera hidden in his coat—the lens peeking through a buttonhole—he captured the faces of riders hurtling through the dark tunnels, wrapped in their own private thoughts. By 1940-41, Evans had made over six hundred photographs and had begun to edit the series. The book remained unpublished until 1966 when The Museum of Modern Art mounted an exhibition of Evans’s subway portraits.
This beautiful new edition—published in the centenary year of the NYC subway—is an essential book for all admirers of Evans’s unparalleled photographs, Agee’s elegant prose, and the great City of New York"Idioma : Inglés Palabras clave: Walker Evans, retratos, blanco y negro, urbano, transporte, bus Clasificación: F Fotografos A-Z Nota de contenido: 1.- Portrait photography - New York 2.- Subways - New York - New York - Pictorial Works I. Title En línea: http://www.amazon.com/Many-Are-Called-Walker-Evans/dp/0300106173/ref=sr_1_2?s=bo [...] Link: https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display Many Are Called [texto impreso] / Walker Evans, Autor ; James Agee, Prefacio, etc ; Jeff L. Rosenheim, Autor de una citación o de extractos . - Estados Unidos : Yale University Press, 2004 . - 208p.
ISBN : 978-0-300-10617-6
Nota extraida de Amazon: "Between 1936 and 1941 Walker Evans and James Agee collaborated on one of the most provocative books in American literature, Let Us Now Praise Famous Men (1941). While at work on this book, the two also conceived another less well-known but equally important book project entitled Many Are Called. This three-year photographic study of subway passengers made with a hidden camera was first published in 1966, with an introduction written by Agee in 1940. Long out of print, Many Are Called is now being reissued with a new foreword and afterword and with exquisitely reproduced images from newly prepared digital scans.
Many Are Called came to fruition at a slow pace. In 1938, Walker Evans began surreptitiously photographing people on the New York City subway. With his camera hidden in his coat—the lens peeking through a buttonhole—he captured the faces of riders hurtling through the dark tunnels, wrapped in their own private thoughts. By 1940-41, Evans had made over six hundred photographs and had begun to edit the series. The book remained unpublished until 1966 when The Museum of Modern Art mounted an exhibition of Evans’s subway portraits.
This beautiful new edition—published in the centenary year of the NYC subway—is an essential book for all admirers of Evans’s unparalleled photographs, Agee’s elegant prose, and the great City of New York"
Idioma : Inglés
Palabras clave: Walker Evans, retratos, blanco y negro, urbano, transporte, bus Clasificación: F Fotografos A-Z Nota de contenido: 1.- Portrait photography - New York 2.- Subways - New York - New York - Pictorial Works I. Title En línea: http://www.amazon.com/Many-Are-Called-Walker-Evans/dp/0300106173/ref=sr_1_2?s=bo [...] Link: https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display Reserva
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Código de barras Signatura Tipo de medio Ubicación Sección Estado 509 F EVAn Libro Colección de la biblioteca Fotografia Disponible
Título : On the Other Side of the Camera Tipo de documento: texto impreso Autores: Arnold Crane, Autor Editorial: Konemann Verlagsgesellschaft mbH Fecha de publicación: 1995 Número de páginas: 260p. ISBN/ISSN/DL: 978-3-89508-093-7 Idioma : Inglés Palabras clave: 3 Cultura:3.50 Artes visuales:Fotograf Palabras clave: retratos, fotografos,Strand, Walker Evans, Brassai, Bill Brandt, Robert Doisneau, Edward Steichen, W.Eugene Smith, Frank, Berenice Abbott, Manuel Alvarez Bravo, Harry Callahan, Aaron Siskind, Arthur Siegel, Beaumont Newhall, Minor White, Rothstein, Arnold Newman, Lee Friedlander, Garry Winogrand, Henri Cartier Bresson Clasificación: RT Retratos y foto-estudio Resumen: Retratos realizados a fotografos reconocidos. Nota de contenido: Man Ray, Ansel Adams,, Cunningham, Andre Kertesz, Paul Strand, Walker Evans, Brassai, Bill Brandt, Robert Doisneau, Edward Steichen, W.Eugene Smith, Robert Frank, Berenice Abbott, Manuel Alvarez Bravo, Harry Callahan, Aaron Siskind, Arthur Siegel, Beaumont Newhall, Minor White, Arthur Rothstein, Arnold Newman, Lee Friedlander, Garry Winogrand, Henri Cartier Bresson, Epilogue En línea: http://www.amazon.com/Other-Side-Camera-Arnold-Crane/dp/B000IOEWEI/ref=sr_1_1?s= [...] Link: https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display On the Other Side of the Camera [texto impreso] / Arnold Crane, Autor . - [S.l.] : Konemann Verlagsgesellschaft mbH, 1995 . - 260p.
ISBN : 978-3-89508-093-7
Idioma : Inglés
Palabras clave: 3 Cultura:3.50 Artes visuales:Fotograf Palabras clave: retratos, fotografos,Strand, Walker Evans, Brassai, Bill Brandt, Robert Doisneau, Edward Steichen, W.Eugene Smith, Frank, Berenice Abbott, Manuel Alvarez Bravo, Harry Callahan, Aaron Siskind, Arthur Siegel, Beaumont Newhall, Minor White, Rothstein, Arnold Newman, Lee Friedlander, Garry Winogrand, Henri Cartier Bresson Clasificación: RT Retratos y foto-estudio Resumen: Retratos realizados a fotografos reconocidos. Nota de contenido: Man Ray, Ansel Adams,, Cunningham, Andre Kertesz, Paul Strand, Walker Evans, Brassai, Bill Brandt, Robert Doisneau, Edward Steichen, W.Eugene Smith, Robert Frank, Berenice Abbott, Manuel Alvarez Bravo, Harry Callahan, Aaron Siskind, Arthur Siegel, Beaumont Newhall, Minor White, Arthur Rothstein, Arnold Newman, Lee Friedlander, Garry Winogrand, Henri Cartier Bresson, Epilogue En línea: http://www.amazon.com/Other-Side-Camera-Arnold-Crane/dp/B000IOEWEI/ref=sr_1_1?s= [...] Link: https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display Reserva
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Código de barras Signatura Tipo de medio Ubicación Sección Estado 356 RT CRA Libro Colección de la biblioteca Fotografia Disponible Técnicas de los grandes fotógrafos / Brian Coe
Título : Técnicas de los grandes fotógrafos Tipo de documento: texto impreso Autores: Brian Coe, Autor ; David Allison, Autor ; Amy Bedik, Autor Editorial: Madrid [España] : Blume Ediciones Fecha de publicación: 1981 Número de páginas: 192p. ISBN/ISSN/DL: 978-84-7214-266-4 Idioma : Español Palabras clave: 3 Cultura:3.50 Artes visuales:Fotograf Palabras clave: Daguerre, Fox Talbot, Octavius Hill y Robert Adamson, Gustave Le Gray, Nadar, Edouard Denis Baldus, Frith, Fenton, Watkins, Carroll, Cameron, Muybridge, Stieglitz, Emerson, Atget, Coburn, Gayne de Meyer,Jean Steichen, Sander, Lartigue, Hoppé, Weston, Paul Strand, Weegee, Lazlo Moholy-Nagy, Man Ray, Andre Kertesz, Walker Evans, Cecil Beaton, Erwin Blumenfeld, Cartier Bresson, Brassai, Bill Brandt, Ansel Adams, Avedon, Frank, Norman Parkinson, Helmut Newton, Irving Penn, David Bailey, Joel Meyerowitz, Francis Giacobetti Clasificación: FT Fotografia técnica Resumen: Técnicas fotográficas de reconocidos artistas. Nota de contenido: Daguerre, Fox Talbot, Octavius Hill y Robert Adamson, Gustave Le Gray, Nadar, Edouard Denis Baldus, Frith, Fenton, Watkins, Carroll, Cameron, Muybridge, Stieglitz, Emerson, Atget, Coburn, Gayne de Meyer,Jean Steichen, Sander, Lartigue, Hoppé, Weston, Paul Strand, Weegee, Lazlo Moholy-Nagy, Man Ray, Andre Kertesz, Walker Evans, Cecil Beaton, Erwin Blumenfeld, Cartier Bresson, Brassai, Bill Brandt, Ansel Adams, Avedon, Robert Frank, Norman Parkinson, Helmut Newton, Irving Penn, David Bailey, Joel Meyerowitz, Francis Giacobetti Link: https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display Técnicas de los grandes fotógrafos [texto impreso] / Brian Coe, Autor ; David Allison, Autor ; Amy Bedik, Autor . - Madrid (España) : Blume Ediciones, 1981 . - 192p.
ISBN : 978-84-7214-266-4
Idioma : Español
Palabras clave: 3 Cultura:3.50 Artes visuales:Fotograf Palabras clave: Daguerre, Fox Talbot, Octavius Hill y Robert Adamson, Gustave Le Gray, Nadar, Edouard Denis Baldus, Frith, Fenton, Watkins, Carroll, Cameron, Muybridge, Stieglitz, Emerson, Atget, Coburn, Gayne de Meyer,Jean Steichen, Sander, Lartigue, Hoppé, Weston, Paul Strand, Weegee, Lazlo Moholy-Nagy, Man Ray, Andre Kertesz, Walker Evans, Cecil Beaton, Erwin Blumenfeld, Cartier Bresson, Brassai, Bill Brandt, Ansel Adams, Avedon, Frank, Norman Parkinson, Helmut Newton, Irving Penn, David Bailey, Joel Meyerowitz, Francis Giacobetti Clasificación: FT Fotografia técnica Resumen: Técnicas fotográficas de reconocidos artistas. Nota de contenido: Daguerre, Fox Talbot, Octavius Hill y Robert Adamson, Gustave Le Gray, Nadar, Edouard Denis Baldus, Frith, Fenton, Watkins, Carroll, Cameron, Muybridge, Stieglitz, Emerson, Atget, Coburn, Gayne de Meyer,Jean Steichen, Sander, Lartigue, Hoppé, Weston, Paul Strand, Weegee, Lazlo Moholy-Nagy, Man Ray, Andre Kertesz, Walker Evans, Cecil Beaton, Erwin Blumenfeld, Cartier Bresson, Brassai, Bill Brandt, Ansel Adams, Avedon, Robert Frank, Norman Parkinson, Helmut Newton, Irving Penn, David Bailey, Joel Meyerowitz, Francis Giacobetti Link: https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display Reserva
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Código de barras Signatura Tipo de medio Ubicación Sección Estado 286 FT COE Libro Colección de la biblioteca Fotografia Disponible
Título : Photography : A concise history Tipo de documento: texto impreso Autores: Ian Jeffrey, Autor Editorial: Thames & Hudson Fecha de publicación: 1981 Número de páginas: 248 Idioma : Inglés Palabras clave: 3 Cultura:3.50 Artes visuales:Fotograf Palabras clave: historia, walker evans, eeuu, retrato Clasificación: HF Historia y antecedentes fotográficos Resumen: Talbot e Hipolito Baryard / Retrato y Topografía después de 1950 / Exploración de culturas lejanas / Fotografía entre guerras / Sociedad europea y naturaleza norteamericana / Sociedad Norteamericana, Walker Evans / La civilización bajo estrés: crisis económica, guerra, industrialización y cultura de masas / Década de los setentas: subjetivismo y autonegación En línea: http://www.amazon.com/Photography-Concise-History-Ian-Jeffrey/dp/B003ZE2QVE/ref= [...] Link: https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display Photography : A concise history [texto impreso] / Ian Jeffrey, Autor . - [S.l.] : Thames & Hudson, 1981 . - 248.
Idioma : Inglés
Palabras clave: 3 Cultura:3.50 Artes visuales:Fotograf Palabras clave: historia, walker evans, eeuu, retrato Clasificación: HF Historia y antecedentes fotográficos Resumen: Talbot e Hipolito Baryard / Retrato y Topografía después de 1950 / Exploración de culturas lejanas / Fotografía entre guerras / Sociedad europea y naturaleza norteamericana / Sociedad Norteamericana, Walker Evans / La civilización bajo estrés: crisis económica, guerra, industrialización y cultura de masas / Década de los setentas: subjetivismo y autonegación En línea: http://www.amazon.com/Photography-Concise-History-Ian-Jeffrey/dp/B003ZE2QVE/ref= [...] Link: https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display Reserva
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Código de barras Signatura Tipo de medio Ubicación Sección Estado 311 HF JEFp Libro Colección de la biblioteca Fotografia Disponible