| Título : | Henri Cartier Bresson: the early work | | Tipo de documento: | texto impreso | | Autores: | Peter Galassi, Autor ; The Museum of Modern Art (New York, Estados Unidos), Autor | | Editorial: | New York [Estados Unidos] : The Museum of Modern Art | | Fecha de publicación: | 1987 | | Número de páginas: | 141p. | | ISBN/ISSN/DL: | 978-0-87070-262-4 | | Nota general: | Nota extraida de Amazon: "Galassi isolates and analyzes the photographer's 1932-34 work, which was surrealistic rather than photojournalistic, a distinction overlooked in earlier publications. In a lengthy essay that makes the book important to art libraries, Galassi examines Cartier-Bresson's work in the cultural and intellectual context of 1930s Europe, and considers such topics as the influence on the medium of technological developments. Galassi says of these photographs that "not all are admirable but none is boring." The reproductions are sometimes rich, sometimes flat, due to an unevenness in the original images. Kathleen Collins, Library of Congress
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title." | | Idioma : | Inglés | | Palabras clave: | 3 Cultura:3.50 Artes visuales:Fotograf
| | Palabras clave: | cartier bresson, fotoperiodismo, fotografia francesa, blanco y negro | | Clasificación: | F Fotografos A-Z | | Resumen: | Peter Galassi muestra los primeros trabajos de H. Cartier Bresson. | | Nota de contenido: | Acknowledgements - Henry Cartier Bresson: the early work - Notes - Plates - Catalogue - Bibliography | | En línea: | http://www.amazon.com/Henri-Cartier-Bresson-Early-Work/dp/0810960923 | | Link: | https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display |
Henri Cartier Bresson: the early work [texto impreso] / Peter Galassi, Autor ; The Museum of Modern Art (New York, Estados Unidos), Autor . - New York (Estados Unidos) : The Museum of Modern Art, 1987 . - 141p. ISBN : 978-0-87070-262-4 Nota extraida de Amazon: "Galassi isolates and analyzes the photographer's 1932-34 work, which was surrealistic rather than photojournalistic, a distinction overlooked in earlier publications. In a lengthy essay that makes the book important to art libraries, Galassi examines Cartier-Bresson's work in the cultural and intellectual context of 1930s Europe, and considers such topics as the influence on the medium of technological developments. Galassi says of these photographs that "not all are admirable but none is boring." The reproductions are sometimes rich, sometimes flat, due to an unevenness in the original images. Kathleen Collins, Library of Congress
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title." Idioma : Inglés |  |
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