Henri Cartier Bresson: the early work / Peter Galassi 

Público ISBD Título : Henri Cartier Bresson: the early work Tipo de documento: texto impreso Autores: Peter Galassi, Autor ; The Museum of Modern Art (New York, Estados Unidos), Autor Editorial: New York [Estados Unidos] : The Museum of Modern Art Fecha de publicación: 1987 Número de páginas: 141p. ISBN/ISSN/DL: 978-0-87070-262-4 Nota general: Nota extraida de Amazon: "Galassi isolates and analyzes the photographer's 1932-34 work, which was surrealistic rather than photojournalistic, a distinction overlooked in earlier publications. In a lengthy essay that makes the book important to art libraries, Galassi examines Cartier-Bresson's work in the cultural and intellectual context of 1930s Europe, and considers such topics as the influence on the medium of technological developments. Galassi says of these photographs that "not all are admirable but none is boring." The reproductions are sometimes rich, sometimes flat, due to an unevenness in the original images. Kathleen Collins, Library of Congress Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title." Idioma : Inglés Palabras clave: 3 Cultura:3.50 Artes visuales:Fotograf Palabras clave: cartier  bresson,  fotoperiodismo,  fotografia  francesa,  blanco  y  negro Clasificación: F Fotografos A-Z Resumen: Peter Galassi muestra los primeros trabajos de H. Cartier Bresson. Nota de contenido: Acknowledgements - Henry Cartier Bresson: the early work - Notes - Plates - Catalogue - Bibliography En línea: http://www.amazon.com/Henri-Cartier-Bresson-Early-Work/dp/0810960923 Link: https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display Henri Cartier Bresson: the early work [texto impreso] / Peter Galassi, Autor ; The Museum of Modern Art (New York, Estados Unidos), Autor . - New York (Estados Unidos) : The Museum of Modern Art, 1987 . - 141p. ISBN : 978-0-87070-262-4 Nota extraida de Amazon: "Galassi isolates and analyzes the photographer's 1932-34 work, which was surrealistic rather than photojournalistic, a distinction overlooked in earlier publications. In a lengthy essay that makes the book important to art libraries, Galassi examines Cartier-Bresson's work in the cultural and intellectual context of 1930s Europe, and considers such topics as the influence on the medium of technological developments. Galassi says of these photographs that "not all are admirable but none is boring." The reproductions are sometimes rich, sometimes flat, due to an unevenness in the original images. Kathleen Collins, Library of Congress Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title." Idioma : Inglés Palabras clave: 3 Cultura:3.50 Artes visuales:Fotograf Palabras clave: cartier  bresson,  fotoperiodismo,  fotografia  francesa,  blanco  y  negro Clasificación: F Fotografos A-Z Resumen: Peter Galassi muestra los primeros trabajos de H. Cartier Bresson. Nota de contenido: Acknowledgements - Henry Cartier Bresson: the early work - Notes - Plates - Catalogue - Bibliography En línea: http://www.amazon.com/Henri-Cartier-Bresson-Early-Work/dp/0810960923 Link: https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display

Reserva

Reservar este documento

Ejemplares

Código de barras	Signatura	Tipo de medio	Ubicación	Sección	Estado
502	F CARt	Libro	Colección de la biblioteca	Fotografia	Disponible

Roy DeCarava: a retrospective / Peter Galassi

Público ISBD Título : Roy DeCarava: a retrospective Tipo de documento: texto impreso Autores: Peter Galassi, Autor Editorial: New York [Estados Unidos] : The Museum of Modern Art, New York Fecha de publicación: 1996 Número de páginas: 280p. ISBN/ISSN/DL: 978-0-87070-126-9 Idioma : Español Palabras clave: 3 Cultura:3.50 Artes visuales:Fotograf Palabras clave: roy  DeCarava,  documental,  blanco  y  negro Clasificación: F Fotografos A-Z Nota de contenido: Foreword - Preface and acknowledgments - Introduction bye Peter Galassi - Pages from a notebook by Sherry Turner DeCarava- Plates, a note on the prints - A photographer's gallery: shcedule of exhibitions - Exhibition history - Selected bibliography - Index Link: https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display Roy DeCarava: a retrospective [texto impreso] / Peter Galassi, Autor . - New York (Estados Unidos) : The Museum of Modern Art, New York, 1996 . - 280p. ISBN : 978-0-87070-126-9 Idioma : Español Palabras clave: 3 Cultura:3.50 Artes visuales:Fotograf Palabras clave: roy  DeCarava,  documental,  blanco  y  negro Clasificación: F Fotografos A-Z Nota de contenido: Foreword - Preface and acknowledgments - Introduction bye Peter Galassi - Pages from a notebook by Sherry Turner DeCarava- Plates, a note on the prints - A photographer's gallery: shcedule of exhibitions - Exhibition history - Selected bibliography - Index Link: https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display

Reserva

Reservar este documento

Ejemplares

Código de barras	Signatura	Tipo de medio	Ubicación	Sección	Estado
503	F CARr	Libro	Colección de la biblioteca	Fotografia	Disponible

Walker Evans & Company / Peter Galassi 

Público ISBD Título : Walker Evans & Company Tipo de documento: texto impreso Autores: Peter Galassi, Autor Fecha de publicación: 2002 Número de páginas: 272p. ISBN/ISSN/DL: 978-0-87070-032-3 Nota general: Nota extraída de Amazon: "Walker Evans, the Metropolitan Museum of Art's catalog to its current major retrospective, is a rock-solid work providing biographical, historical, and visual accounts of the artist's life and work. Hambourg, an assistant curator in the museum's Department of Photography, edited this big book with the straightforward approach that Evans employed in his art. Careful reproduction of well-known black-and-white and little-known color photographs by Evans forms the heart of the volume. There are quality essays here as well, biographical and analytical writing that effectively places Evans's visual efforts in social and territorial context. From the self-portrait on the cover to the notebook entries to the many photographs clustered along the way, Unclassified: A Walker Evans Anthology quickly broadens the popular view of the photographer as a chronicler of 1930s America with black-and-white film in his camera. Gathered from many files in the large and varied Evans Archive at the Metropolitan Museum of Art, these collected writings, photos, and ephemera give us a socially concerned writer, artist, and meticulous keeper of his life's work along with his opinions and his collections of postcards. This version of Evans shakes him free of any narrow channel in which we placed him. He led a robust life, and the stillness that comes from his Depression-era work is shaken up by this energized look at the photographer. Walker Evans pointed a camera at his world and let the documentary result speak as his art. Chief curator in the Museum of Modern Art's Department of Photography, Galassi has taken that objective eye as his theme. Gathering over 300 works from several media by 100 artists, Galassi gives us a volume of reportorial art, showing people, places, and things in "as is" condition. Evans touched people with his photographs because he merged his images with their "real lives." The question of whether other artists using other means were influenced by Evans's work or simply liberated to offer a visual vernacular landscape is incidental here. Galassi's book succeeds because his choices match his theme so well and play off the many examples of Evans's work that unite these pages. Though the Metropolitan catalog is the first choice for purchase, all three books are well recommended for all types of libraries and essential for serious art collections.DDavid Bryant, New Canaan Lib., CT Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title". Idioma : Inglés Palabras clave: Walker  Evans,  blanco  y  negro Clasificación: F Fotografos A-Z Nota de contenido: Foreword - Preface and acknowledgments - Introduction - List of Plates - Basic bibliography - Trustees En línea: http://www.amazon.com/Walker-Evans-Company-Peter-Galassi/dp/0870700324/ref=sr_1_ [...] Link: https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display Walker Evans & Company [texto impreso] / Peter Galassi, Autor . - 2002 . - 272p. ISBN : 978-0-87070-032-3 Nota extraída de Amazon: "Walker Evans, the Metropolitan Museum of Art's catalog to its current major retrospective, is a rock-solid work providing biographical, historical, and visual accounts of the artist's life and work. Hambourg, an assistant curator in the museum's Department of Photography, edited this big book with the straightforward approach that Evans employed in his art. Careful reproduction of well-known black-and-white and little-known color photographs by Evans forms the heart of the volume. There are quality essays here as well, biographical and analytical writing that effectively places Evans's visual efforts in social and territorial context. From the self-portrait on the cover to the notebook entries to the many photographs clustered along the way, Unclassified: A Walker Evans Anthology quickly broadens the popular view of the photographer as a chronicler of 1930s America with black-and-white film in his camera. Gathered from many files in the large and varied Evans Archive at the Metropolitan Museum of Art, these collected writings, photos, and ephemera give us a socially concerned writer, artist, and meticulous keeper of his life's work along with his opinions and his collections of postcards. This version of Evans shakes him free of any narrow channel in which we placed him. He led a robust life, and the stillness that comes from his Depression-era work is shaken up by this energized look at the photographer. Walker Evans pointed a camera at his world and let the documentary result speak as his art. Chief curator in the Museum of Modern Art's Department of Photography, Galassi has taken that objective eye as his theme. Gathering over 300 works from several media by 100 artists, Galassi gives us a volume of reportorial art, showing people, places, and things in "as is" condition. Evans touched people with his photographs because he merged his images with their "real lives." The question of whether other artists using other means were influenced by Evans's work or simply liberated to offer a visual vernacular landscape is incidental here. Galassi's book succeeds because his choices match his theme so well and play off the many examples of Evans's work that unite these pages. Though the Metropolitan catalog is the first choice for purchase, all three books are well recommended for all types of libraries and essential for serious art collections.DDavid Bryant, New Canaan Lib., CT Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title". Idioma : Inglés Palabras clave: Walker  Evans,  blanco  y  negro Clasificación: F Fotografos A-Z Nota de contenido: Foreword - Preface and acknowledgments - Introduction - List of Plates - Basic bibliography - Trustees En línea: http://www.amazon.com/Walker-Evans-Company-Peter-Galassi/dp/0870700324/ref=sr_1_ [...] Link: https://biblioteca.centrodelaimagen.edu.pe/opac_css/index.php?lvl=notice_display

Reserva

Reservar este documento

Ejemplares

Código de barras	Signatura	Tipo de medio	Ubicación	Sección	Estado
510	F EVA	Libro	Colección de la biblioteca	Fotografia	Disponible

---

page 1/1